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Del Movimiento Moderno al ‘modernismo’ fordista: la desactivación de sus ideales en su translatio imperii = From the Modern Movement to Fordist ‘Modernism’: The Deactivation of its Ideals in its translatio imperii.
dc.contributor.author | Minguet-Medina, Jorge | |
dc.date.accessioned | 2024-04-22T05:59:27Z | |
dc.date.available | 2024-04-22T05:59:27Z | |
dc.date.created | 2024 | |
dc.date.issued | 2020-05-01 | |
dc.identifier.citation | Minguet Medina, Jorge. 2020. “From the Modern Movement to Fordist ‘Modernism’: The Deactivation of Its Ideals in Its Translatio Imperii”. Constelaciones. Architecture Magazine of the San Pablo CEU University, no. 8 (May):171-86. https://doi.org/10.31921/constelaciones.n8a10. | es_ES |
dc.identifier.issn | 2531-1360 | |
dc.identifier.issn | 2340-177X | |
dc.identifier.uri | https://hdl.handle.net/10630/31098 | |
dc.description | Artículo publicado en versión bilingüe inglés/español. | es_ES |
dc.description.abstract | The transfer of the center of the architectural culture from Europe to America within a general translatio imperii will completely modify the social orientation of the Modern Movement and transform it into a politically deactivated style that would be preferably called Fordist Modernism. The layers of this transformation are diverse and convergent: the attempt of integration within, and the later flight from totalitarian regimes by the great ideologues of the modern; their selection and assimilation to the culture of American private initiative; and finally, the unquestionable triumph of the ideology of consumption and its alignment with the new and aestheticized style will gradually complete this diametral change in the history of twentieth-century architecture. The second part of the century can't be understood but through the filter of this veiled but radical transformation. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Universidad CEU/S. Pablo | es_ES |
dc.rights | info:eu-repo/semantics/openAccess | es_ES |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/4.0/ | * |
dc.subject | Arquitectura fordista - Siglo XX | es_ES |
dc.subject | Gropius, Walter - Crítica e interpretación | es_ES |
dc.subject | Mies van der Rohe, Ludwig - Crítica e interpretación | es_ES |
dc.subject.other | Modern Movement | es_ES |
dc.subject.other | Fordist Modernism | es_ES |
dc.subject.other | International Style | es_ES |
dc.subject.other | Gropius | es_ES |
dc.subject.other | Mies | es_ES |
dc.subject.other | Meyer | es_ES |
dc.subject.other | Bernays | es_ES |
dc.subject.other | Bauhaus | es_ES |
dc.title | Del Movimiento Moderno al ‘modernismo’ fordista: la desactivación de sus ideales en su translatio imperii = From the Modern Movement to Fordist ‘Modernism’: The Deactivation of its Ideals in its translatio imperii. | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.centro | E.T.S. de Arquitectura | es_ES |
dc.identifier.doi | 10.31921/constelaciones.n8a10 | |
dc.rights.cc | Atribución-CompartirIgual 4.0 Internacional | * |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es_ES |