Gender Performance and Spatial Negotiation in the Neo-Victorian Novel

dc.contributor.author	Pettersson, Lin Elinor
dc.date.accessioned	2024-02-09T17:03:29Z
dc.date.available	2024-02-09T17:03:29Z
dc.date.issued	2014
dc.identifier.isbn	978-84-9747-743-7
dc.identifier.uri	https://hdl.handle.net/10630/30336
dc.description.abstract	The present volume examines Judith Butler's concept of gender performance in Angela Carter's Nights at the Circus (1984), Sarah Waters's. Tipping the Velvet (1998) and Peter Ackroyd's. Dan Leno and the Limehouse Golem (1994). All of them depict how female performers make use of the stage to expose gender identity as an act performance and in doing so they destabilise the public/private dichotomy	es_ES
dc.description.sponsorship	HUM-858 Literaturas Contemporáneas En El Ámbito Europeo	es_ES
dc.language.iso	eng	es_ES
dc.publisher	Universidad de Málaga	es_ES
dc.subject	Performance (Arte)	es_ES
dc.subject.other	Gender Performance	es_ES
dc.subject.other	Neo-Victorianism	es_ES
dc.subject.other	Judith Butler	es_ES
dc.subject.other	London in literature	es_ES
dc.subject.other	Sarah Waters	es_ES
dc.subject.other	Peter Ackroyd	es_ES
dc.subject.other	Angela Carter	es_ES
dc.subject.other	Music Hall	es_ES
dc.title	Gender Performance and Spatial Negotiation in the Neo-Victorian Novel	es_ES
dc.type	book	es_ES
dc.centro	Facultad de Filosofía y Letras	es_ES
dc.type.hasVersion	VoR	es_ES
dc.departamento	Filología Inglesa, Francesa y Alemana
dc.rights.accessRights	metadata only access	es_ES